Cover image: Michael Heizer: North, East, South, West, 1967/2002, installation view at Dia:Beacon; photo Tom Vinetz; courtesy Dia Art Foundation; gift of Lannan Foundation
Update | URL: /backissues/c105/update.shtml
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Regular Columns | 22
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Brian Kennedy
Slave to the Machine | Michael Cunningham
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Fifth Column | Janet Naclia
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See | URL: /backissues/c105/see.shtml
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Feature articles
Superficial art | Paul O'Brien
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A recent conference at Tate Britain investigated artists' relation to surface in the digital age. Paul O'Brien reports.
Ireland complex | Brian Kennedy
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It's been a rollercoaster ride, but where has it landed us? Brian Kennedy reports on a recent conference in Virginia which sought to get a fix on modern Ireland.
Theme: New York
Why NY? | Gemma Tipton
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To open our New York theme, writers both Irish and American scan the scene in the Big Apple. We begin with one of the theme coordinators, Gemma Tipton.
Why NY?: Money for something? | Rob Alexis
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Americans are in the habit of giving money to the arts. How does that work? Robert Alexis reports.
Why NY?: Only the exaggerations are true | Sina Najafi
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Cabinet is one of the biggest regarded New York Art magazines. Here Sina Najafi explains its success.
Why NY?: Twinkler | Jeanne Greenberg Rohatyn
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Jeanne Greenberg Rohatyn describes how she found one Irish artist in New York.
Why NY?: History of a show | Corban Walker
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Corban Walker describes his winding road to getting a show in New York.
The art market in New York: some thoughts on venture capitalism | Megan Johnston
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If you can make it there, you can... Megan Johnston explains the rules.
Whispering architecture | Gemma Tipton
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Does size matter? No it's how you use it. Gemma Tipton is amazed at Dia:Beacon.
Behind the eight ball | Allyson Spellacy
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Allyson Spellacy takes a look accross the river...
Monumental | Paddy Johnson
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Paddy Johnson takes a look at architecture, memory and an intruiging icon of 'Irishness'.
In print | Keane A. Pepper
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Who's reading who's writing about whose art? Keane A. Pepper turns the page of what's happening.
In the shadow of the World Trade Center | Elizabeth Aders
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Liz Aders looks at the survival of art on Wall Sreet and thirty years of contribution by the LMCC.
Project
Mark Orange: from Untitled (24HRS.) series 2002-2003 | Mark Orange
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Reviews
New York: The American effect | William Powhida
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New York: H2oat Danese | Laurence Hegarty
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Venice Biennale: Katie Holten | Fiona Kearney
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Venice Biennale: Wales and Scotland | Nathalie Weadick
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Venice Biennale: technology | John Gerrard
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Belfast: Golden Mile | Ruth Jones
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Dublin: Mary Kelly at Royal Hibernian Academy | Catherine Lyons
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Belfast: One Place Twiceat Golden Thread | Julie Bacon
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Dublin, Cork, Sligo: Outsider Artin Ireland | Peter Haining
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Limerick: Padraig Cunningham at Beltable | Paul Aherne
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Dublin: Dan Shipsides at Temple Bar | Alan Phelan
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Belfast: Conor McFeelyat Ormeau Baths | Julie Bacon
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Dublin: Garrett Phelanat Pallas Heights | Declan Long
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Dublin: Gary Hume at Irish Museum of Modern Art | Damien Duffy
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Dublin: Spiritusat Douglas Hyde | om lekha
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Blanchardstown: Rita Jokiranta at Draíocht | Emma Donaldson
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Leeds: Liadin Cooke at Henry Moore Institute | Padraig Timoney
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Belfast: Connor Caffrey at Golden Thread | Gregory McCartney
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Limerick: Brian Kennedy at Limerick City Gallery | Sean Taylor
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Dublin: Bridget Riley | Tanya Kiang
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Dublin: Eugenio Percossi | Gemma Tipton
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Blanchardstown: Dara McGrath | Justin Carville
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Derry: Patrick Bradly and Peter Hughes at Context | Damien Duffy
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Cork: Nigel Rolfe at Crawford and St. Finn Barre's | Mark Ewart
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Dublin: Axel Boesten at Gallery of Photography | Declan Sheehan
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