Cover image: Cristina Bunello: Back view of girl with buns (detail), oil on linen, 30 x 20 cm; courtesy the artist (from degree-show critics' choices)
Editorial | Peter FitzGerald
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Update
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IM projects editorial | IM projects
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Features
Vox pop – 'The Messiah' | IM Projects, Binna Choi, Jeffrey Vallance, Paul O'Neill, Vincent Honoré, Tom Morton, Ahmet Ögüt, nero, Vanessa Desclaux, Ovul Dumusoglu, Raimundas Malasauskas, Cornelia Lauf, Jamie Shovlin, Marcelline Delbecq, Will Holder
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As a figure of hope or a sign of the times, IM projects offer 14 respondents an image of Obama Action Figure and ask them what they would offer in return
Tenebrous dialectics: contemporary art and the limits of enchantment | Dieter Roelstraete
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Why has the spiritual reentered contemporary art?
In conversation with Adrian Rifkin | IM projects
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A leading art educationalist talks autobiography and much else besides
Chapters // myth | Tessa Giblin with Amalia Pica, Mario García Torres, Michael Fortune and Aileen Lambert, Lee Welch, Melvin Moti
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Nine takes on storytelling and fantasy in contemporary practice
Projects
Proximity – no means a marker of accessibilityy | Ilsa Colsell and Conor Donlon
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Put your arms around me honey, 2009 | Susan MacWilliam
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Untitled, 2009 | David Ferrando Giraut
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Rap collage 2, 2009 | Spartacus Chetwynd
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Degree shows
Reviews
Belfast: Helen Sharp: The Hero and now | om lekha
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Cork: Mary FitzGerald: Afterlife | David Brett
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Dublin: If I can’t dance I don’t want to be part of your revolution: Edition III: Masquerade | Tim Stott
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Dublin: Brian Duggan: Step inside now step inside | Michelle Browne
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Galway: Lee Welch: At the still point of the turning world | Hilary Murray
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Lismore United technologies | Matt Packer
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Mechelen: The Search for the Spirit | Rosa Lleó
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Sligo: Medium religion | Bryonie Reid
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Venice: Susan MacWilliam: Remote Viewing – Northern Ireland Pavilionat the 53rd Venice Biennale | Cecilia Canzioni
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Venice: Sarah Browne and Gareth Kennedy: The Republic of Ireland at the 53rd Venice Biennale | Ilaria Gianni
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Venice: Making worlds: the 53rd Venice Biennale | Aoife Rosenmeyer
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